How to Identify an Authentic Andrew Wyeth Print

By Lori Spencer

 

Even before his death in 2009 at the age of 91, American painter Andrew Wyeth was a victim of art counterfeiters. One well-known fake in circulation since 1998 was openly decried by the artist himself. Four known forgeries have emerged since his death. In early October 2010, the FBI Art Crime Team announced the seizure of a forged 1939 Wyeth painting “Wreck on Doughnut Point,” valued at more than $100,000.

Art forgery is a $6-billion industry worldwide, according to the FBI. If you’re looking to add an authentic Wyeth print to your collection, follow these steps to better protect yourself against fraud.

Read more: How to Identify an Authenic Andrew Wyeth Print | eHow.com http://www.ehow.com/how_7470814_identify-authenic-andrew-wyeth-print.html#ixzz1g8q2FUgB

Negotiating A Record Contract

By Lori Spencer

 

Recording contracts are legally binding agreements between an artist and the record label defining the rights, obligations and remedies for each party. A recording deal may just be for a single project, or on a “per album” basis, but most are long term commitments of three to seven years with periodic options to renew. As the record company is making a considerable financial investment in the costs of making and producing albums, they naturally expect a substantial return.

This tutorial covers many of the key points to negotiate in a record deal, but is not intended as legal advice. Always have an experienced entertainment law attorney review any record contracts before signing.

Step 1

Negotiate the most important thing first: who retains creative control – artist or record company? Artists will of course try to retain as much control over their own work as possible, but most major record label contracts reserve the right for the company to veto the artist’s choice of studio, producer, songs, musicians, cover art and the like.

Step 2

Discuss the length of the proposed contract. As record contracts generally sign artists for a certain number of records (not years), it could be a one-record deal or a six record deal. There is an option to renew after each album or period of time, usually at the record company’s option. “Options” are explained further in Reference 2.

Step 3

Have your contract clearly define the extent of exclusivity. While every recording contract engages the exclusive services of the performer or group (meaning you can’t make records for any other companies during the contract term), some labels will try to push this exclusivity clause too far and unfairly bind artists from doing other projects.

Step 4

Estimate a recording budget for each album under the recording contract and negotiate an appropriate advance. It’s important not to ask for too much upfront, because these advance monies are fully recoupable from the artist’s future royalties. Think of it like a loan, and never borrow more than you can realistically pay back in a reasonable amount of time (based on sales expectations).

Step 5

Have your manager or attorney negotiate the best possible royalty rate they can get in the contract. Most new artists receive a royalty rate of between 9-14%. Many record contracts increase the artist’s royalty rate by degrees with each subsequent album based on performance and sales figures. Advances and production budgets generally will also increase with each album under the contract.

Step 6

Hammer out the details of a song publishing arrangement if the artist writes their own material. Most record labels will want a piece of the publishing pie, as this generates a significant amount of revenue for the company. Sometimes the split is as much as 50/50 between the songwriter and record label.

Step 7

Make certain your contract clearly defines both parties’ rights and obligations in regard to artist merchandising, publicity, marketing, promotion, public performances, touring, tour support, control/maintenance of artist’s official website, and other fine points involved in a standard recording contract.

Tips

As all things must eventually come to an end, make sure the recording contract sets a clear procedure for termination of the deal. It should also spell out the legal remedies available if one or the other party defaults. Labels sometimes go bankrupt or out of business and sell the artist’s contract to another record label; your contract needs to cover all of these “what if” scenarios that could happen down the road.

You may also want to insert a “key man” clause that states if your A&R rep, producer, or a key person within the record label or band should leave, the contract may be terminated.

Warnings

A “sideman’s clause” is recommended if the artist wants to be free to do studio work with other artists, appear on benefit or compilation albums, movie soundtracks, etc. Even with such a clause the artist will still need permission from the record company before recording elsewhere, but without a sideman’s clause, the artist (or members of the band) would not be allowed to appear as a guest on any other albums.

Key Concepts

• record contract negotiation
• record contract deal
• recording artist contracts
• entertainment law contracts
• record deals contract
• artist record company

References

• Music Biz Academy: What’s A Record Deal All About? [http://www.musicbizacademy.com/knab/articles/recorddeal.htm]
• YouTube: What to Expect in a Recording Contract [http://www.youtube.com/watch?v=4v7GMpA5sVI&feature=related]
• YouTube: Record Deals and the Future of Music [http://www.youtube.com/watch?v=1eg5JKPwLqI&feature=related]

User Bio

Lori Spencer has written professionally since 1986. She is the author of three nonfiction books, is writing her fourth and provides content for eHow and LIVESTRONG.COM. She also produces and hosts a weekly radio show. Her subjects of expertise include history, media, music, film and the performing arts.

Characteristics of a Fanfare

By Lori Spencer

 

A fanfare is a bold and brief piece of music used to announce the coming of an important person or event. You’ll hear them at sporting competitions like the Olympics, at military and official government ceremonies, and often in movies or TV shows as opening theme music.

Featuring dotted rhythms, repeated patterns and a harmonic series of notes, fanfares are generally brass- and percussion-dominant. This is both to get the listener’s attention and impart a sense of importance to the event…

 

 

Continued at http://www.ehow.com/list_7465874_characteristics-fanfare.html

Origins and Musical Features of Minimalism

By Lori Spencer

 

The term “Minimalism” in music is derived from the experimental, progressive Minimalist art movement of the mid-20th century. This musical form originally began in the 1960s as an underground avant garde scene in small nightclubs and art galleries. Although Minimalist music slowly gained wider critical acceptance over the next few decades, it has never fully entered the popular mainstream.

Features

• Minimalism essentially refers to sparseness; an art form being reduced to essential elements, doing away with excessive notes and orchestration. Repetition of simple, short musical phrases often with a droning, steady pulse are the benchmarks of Minimalist music. This form bears a similarity to ancient sacred music, as it too, uses certain harmonic tones and rhythms to create a hypnotic, often trace-like effect on the listener.

Origins

• Although the origins of modern Minimalist music can be found in late-19th and early-20th century European classical composers such as Richard Wagner, Alexander Mosolov, and Eric Satie, the Minimalist movement took shape in America after WWII. One of the first important Minimalist works in 1958′s “Trio in C” by La Monte Young. In the mid-1960s, artists like Terry Reily and Steve Reich and his Julliard classmate Philip Glass were blazing new trails in Minimalist music. In more recent years, John Adams has emerged as the most popular American Minimalist composer, inching the art form closer to mainstream acceptance with a number of best-selling albums.

Minimalist Composers

• Composers considered to be innovators of the minimalist movement include Philip Glass, Terry Riley, John Adams, Steve Reich, Michael Nyman, Brian Eno, Gavin Bryars, John Tavener, Mike Oldfield, Louis Andriessen, La Monte Young, Karel Goeyvaerts, Steve Martland, Henryk Górecki, and Arvo Pärt.

Minimalism in Popular Music

• The Beatles became quite infatuated with the Minimalist movement in the mid-1960s and the song “Tomorrow Never Knows” (from the 1966 “Revolver” album) is a bluesy drone in the key of C, that features trademark Minimalist tape looping, and John Lennon’s poetic musings on death layered over a repetitive Indian tambura track. The Beatles “White” album featured a strictly white cover with no photographs or artwork–about as Minimalist as an album cover can be.

  Many psychedelic and art rock bands of the late `60s explored Minimalism, most notably the Velvet Underground, who had a close relationship with La Monte Young. English rockers Pink Floyd pushed the boundaries of Neo-Minimalism with their 1968 “Saucerful of Secrets” album. In the `70s, progressive rock artists like The Soft Machine, King Crimson, Mike Oldfield and Brian Eno introduced new audiences to Minimalism. The tradition continues today with alternative and postmodern rock bands such as Sonic Youth, Mogwai, and Explosions in the Sky.

Read more: Origins & Musical Features of Minimalism | eHow.com http://www.ehow.com/list_7318030_origins-musical-features-minimalism.html#ixzz1g96NMxL2

Fix That Damned Skipping Record!

By Lori Spencer

 

If your treasured vinyl records are skipping, there could be several reasons why. Dirt, dust or other debris in the grooves of the record are the most common cause of record skips. Your turntable’s arm may need balancing, or the stylus could be worn out. The good news is that all of these problems can be fixed with a minimum of cost and effort. The bad news is, if the skipping is being caused by…

 

Continued at: http://www.ehow.com/how_8209913_fix-record-skips.html

Self-Producing Your Album: A Guide for Musicians

By Lori Spencer

 

Making a record is the first step on every musical artist’s path to success. Here’s how to save time and money in the studio by doing it yourself.

 

Read the rest of the story at

http://www.suite101.com/content/self-producing-your-own-cd-a-guide-for-musicians-a382500