Fans, Friends and Family Say Goodbye to Etta James

 

Cover of the Etta James classic 1963 live album, "Rocks the House" (Chess Records)

By Lori Spencer

Yahoo! News

 

Private funeral services for four-time Grammy Award winner Etta James were held Saturday in Los Angeles. James died January 20 after a two-year battle with leukemia at age 73.

A public viewing Friday at Inglewood Cemetery drew hundreds of her fans. While the sound of her classic records wafted through the parking lot, mourners waited in line for hours to pass by the open casket. James was laid to rest in a simple black suit with gold embroidery, still looking every bit the diva.

Stevie Wonder, Christina Aguilera, and other celebrities came to pay their final respects. Stevie Wonder performed four songs, including…

 

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Johnny Otis and Etta James: Reunited at Last

 

 

 

By Lori Spencer

Yahoo! News

* A longer, in-depth version of this obituary appeared in This Can’t Be Happening! and OpEdNews

 

From their first meeting in 1953, the fates of Johnny Otis and Etta James seemed almost magically entwined.
Spunky little Jamesetta Hawkins, then 14 years old, was overheard rehearsing a song with her girl group The Creolettes in a San Francisco hotel bathroom. Outside the door, Johnny Otis’ ears perked up. “I knew instantly when I heard Etta sing in that bathroom audition that she would be a star,” he said decades later. “I heard the raw talent she possessed before she had developed.”

Johnny Otis – already famous for hits like “Harlem Nocturne,” “Castin’ My Spell on You,” and “Willie and the Hand Jive” – was also known as a radio disc jockey and a keen talent scout. His other discoveries included Big Mama Thornton, Johnny “Guitar” Watson, Little Richard,…

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Origins and Musical Features of Minimalism

By Lori Spencer

 

The term “Minimalism” in music is derived from the experimental, progressive Minimalist art movement of the mid-20th century. This musical form originally began in the 1960s as an underground avant garde scene in small nightclubs and art galleries. Although Minimalist music slowly gained wider critical acceptance over the next few decades, it has never fully entered the popular mainstream.

Features

• Minimalism essentially refers to sparseness; an art form being reduced to essential elements, doing away with excessive notes and orchestration. Repetition of simple, short musical phrases often with a droning, steady pulse are the benchmarks of Minimalist music. This form bears a similarity to ancient sacred music, as it too, uses certain harmonic tones and rhythms to create a hypnotic, often trace-like effect on the listener.

Origins

• Although the origins of modern Minimalist music can be found in late-19th and early-20th century European classical composers such as Richard Wagner, Alexander Mosolov, and Eric Satie, the Minimalist movement took shape in America after WWII. One of the first important Minimalist works in 1958′s “Trio in C” by La Monte Young. In the mid-1960s, artists like Terry Reily and Steve Reich and his Julliard classmate Philip Glass were blazing new trails in Minimalist music. In more recent years, John Adams has emerged as the most popular American Minimalist composer, inching the art form closer to mainstream acceptance with a number of best-selling albums.

Minimalist Composers

• Composers considered to be innovators of the minimalist movement include Philip Glass, Terry Riley, John Adams, Steve Reich, Michael Nyman, Brian Eno, Gavin Bryars, John Tavener, Mike Oldfield, Louis Andriessen, La Monte Young, Karel Goeyvaerts, Steve Martland, Henryk Górecki, and Arvo Pärt.

Minimalism in Popular Music

• The Beatles became quite infatuated with the Minimalist movement in the mid-1960s and the song “Tomorrow Never Knows” (from the 1966 “Revolver” album) is a bluesy drone in the key of C, that features trademark Minimalist tape looping, and John Lennon’s poetic musings on death layered over a repetitive Indian tambura track. The Beatles “White” album featured a strictly white cover with no photographs or artwork–about as Minimalist as an album cover can be.

  Many psychedelic and art rock bands of the late `60s explored Minimalism, most notably the Velvet Underground, who had a close relationship with La Monte Young. English rockers Pink Floyd pushed the boundaries of Neo-Minimalism with their 1968 “Saucerful of Secrets” album. In the `70s, progressive rock artists like The Soft Machine, King Crimson, Mike Oldfield and Brian Eno introduced new audiences to Minimalism. The tradition continues today with alternative and postmodern rock bands such as Sonic Youth, Mogwai, and Explosions in the Sky.

Read more: Origins & Musical Features of Minimalism | eHow.com http://www.ehow.com/list_7318030_origins-musical-features-minimalism.html#ixzz1g96NMxL2

How to Take Care of 78 RPM Records

By Lori Spencer

 

Collectors of 78 rpm records treat their old shellac discs like rare and precious jewels, as often they are worth a great deal of money. Even the casual collector can learn much about caring for their 78s by talking to an experienced professional collector, curator, or trader of vintage records. Old 78 rpm shellac platters are extremely fragile, vulnerable to chips, cracking and breakage. They require special care and handling at all times and must be stored in conditions conducive to preservation.

Cleaning

Step 1

Use a damp terrycloth lint-free towel to remove surface dust and dirt. Never apply alcohol cleaning products to shellac discs — this strips the surface. For general cleaning, water works just fine. If the disc is really dirty, mix some mild dish-washing liquid with the water.

Step 2

Rub gently in the direction of the grooves. To prevent cracking of the disc, do this on a soft flat surface like a bed or sofa.

Step 3

Rinse or replace the towel frequently if cleaning more than just one or two records.

Step 4

Follow the cleaning towel with a dry towel.

Step 5

Lay the record out to dry overnight. Do not place it back in the sleeve until completely dry.

Storage

Step 1

Store your records clean. Dirt and dust in the grooves can scratch the records when the box is moved around. Organic compounds react with the shellac, attracting insects such as silverfish. These little critters love to eat paper sleeves and record labels.

Step 2

Keep your record boxes high and dry. Humidity above 85% promotes mold growth and porous 78 record sleeves absorb moisture. Store them off the floor in the event of a flood or plumbing leak.

Step 3

Avoid storing 78 rpm records flat; this puts pressure on the records. Store them upright, on edge, in clean new sleeves. Do not allow the records to lean as this causes warping. If storing them in a box, make sure the discs are fully upright and flat against each other, held in place with a divider if necessary.

Step 4

Monitor the temperature where the records are stored. High temperatures will warp 78s, especially if they are not stored flat and upright. Room temperature should not exceed 75 degrees.

Playback

Step 1

Use a fresh new needle for every record if you’re planning to play the 78s on a vintage Victrola. Bear in mind that the heavy tonearm and steel needles on these older record players wear down the grooves much faster than modern equipment.

Step 2

Invest in a high-quality modern turntable with a 78 rpm speed setting. (These are still available from specialty retailers.) If you have very rare or valuable 78s, it is strongly recommended that you only play them on modern electric turntables, not old Victrolas.

Step 3

Copy your 78s to a digital format, such as burning them to CD or to your computer. This saves wear and tear on the original records, while allowing you the pleasure of listening to them as often as you like.

Tips

When it comes to vintage recordings, 78 rpm collectors are merely stewards of historical artifacts. Much like a museum curator, your goal should be to do as little damage as possible and preserve them for future generations.

Warnings

Take extra special care of the record label: collectors and 78 rpm record buyers will pay top dollar for labels that are in excellent condition. Labels that are torn, stamped, marked or damaged reduce the value of your record significantly. Never immerse your records in water or wet the label when cleaning; this will cause labels to bubble or peel.

Key Concepts

• 78rpm record collecting
• 78rpm record care
• 78rpm record cleaning
• 78rpm record storage
• playing 78rpm records
• 78rpm record preservation

References

• 78rpm: Frequently Asked Questions [http://www.78rpm.com/faq.htm]
• The 78rpm Home Page: Repair Tips [http://78rpmrecord.com/repair.htm]
• Tim’s Phonographs and Old Records: Assessing the Condition of Old 78rpm Discs [http://www.gracyk.com/assess.shtml]

Resources (Further Reading)

• Kix: Vinyl Record Collecting Resources [http://kixsoftware.com/vinylresources.html]
• 78rpm Records [http://78rpmrecord.com]
• Garage-A-Records: Record Cleaning Products for 33, 45, and 78rpm Records [http://www.garage-a-records.com/cleaner.html]

User Bio

Lori Spencer has written professionally since 1986. She is the author of three nonfiction books, is writing her fourth and provides content for eHow and LIVESTRONG.COM. She also produces and hosts a weekly radio show. Her subjects of expertise include history, media, music, film and the performing arts.

How to Blend the Sound of a Guitar and Bass

By Lori Spencer

 

Achieving just the right blend between guitar and bass should be felt by the listener “like a warm hug” according to Manny Marroquin, mixing engineer on multiple platinum hits for John Mayerand other top recording artists. Think of the guitar as one arm and the bass as the other arm. The idea is to wrap both arms around the listener and engulf them, blending the two sources together to sound like one.

Effective microphone placement, the tone, instruments, amplification, style and rapport of the musicians themselves–and not studio wizardry–represent the keys to successfully blending bass and guitar.

Read more: How to Blend the Sound of a Guitar and a Bass | eHow.com http://www.ehow.com/how_7339161_blend-sound-guitar-bass.html#ixzz1g8wzWNra

 

Blues Festivals in California

Blues Festivals in California | eHow.com.

By Lori Spencer

The Effects of Relaxation Music on the Brain

The Effects of Relaxation Music on the Brain | eHow.com.

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Memphis Country Music Nightclubs

Memphis Country Music Nightclubs | eHow.com.

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How to Play “Crocodile Rock”

By Lori Spencer

 

Elton John’s “Crocodile Rock” is a classic showpiece for any pianist and a fun challenge to play. The rest of the band will work hard trying to keep up with some unusual chord changes, while the singer gets to really stretch out the top of his falsetto range on the chorus refrain.

This lilting, 1950s-style rocker conjures up images of sock hops, Hula-hoops and drive-ins and will get people moving on the dance floor.

“Crocodile Rock” was written by Elton John and Bernie Taupin and appears on Elton’s 1973 album, “Don’t Shoot Me, I’m Only the Piano Player.” It is in the key of G.

Read more: How to Play “Crocodile Rock” | eHow.com http://www.ehow.com/how_7332311_play-_crocodile-rock_.html#ixzz1g8znRmgX

How to Make 78 rpm Records the Right Speed if Recorded at 45 rpm

By Lori Spencer

Most consumer-grade turntables on the market today will only play 45 and 33 rpm records, leaving 78 rpm enthusiasts without a way to listen to their prized collections. It is entirely possible to record 78 rpm records to a digital format using the 45 rpm speed on your turntable, then convert to the correct speed using audio software.

Free software such as Audacity and WavePad will automatically correct the speed with a few clicks of the mouse. The conversion speed can also be adjusted manually to accommodate early 20th century recordings, which often were recorded from 70 to 90 rpms…

 

Article continues at http://www.ehow.com/how_8193357_make-right-speed-recorded-45.html