Archive for the ‘Music History’ Category

By Lori Spencer

Contributing Editor

This Can’t Be Happening!

According to the National Archives, one item has been requested more than any other over the past forty two years; more than the Bill of Rights or even the Constitution of the United States. Yes, it's the  iconic photograph of Elvis Presley shaking hands with President Richard M. Nixon on the occasion of Presley's visit to the White House. December 21, 1970.

According to the National Archives, one item has been requested more than any other over the past forty two years; more than the Bill of Rights or even the Constitution of the United States. Yes, it’s the iconic photograph of Elvis Presley shaking hands with President Richard M. Nixon on the occasion of Presley’s visit to the White House. December 21, 1970.

It was a few days before Christmas, 1970, and Elvis Presley was suddenly obsessed with a strange notion. Not another late-night private shopping spree for Lisa Marie, or a cross-country hamburger run this time. No, what Presley had in mind was far more important: the trumpet of destiny was once again beckoning him to her siren call. It had been decided somehow in his drug-addled mind that the King of Rock and Roll should meet the President of the United States. Not next week; not next year, or in the next decade: this had to happen right now.

Within hours, and without telling anyone in his Memphis Mafia entourage, Elvis was on a red-eye flight to Washington, D.C. – alone. Before Vernon Presley could say, “has anybody seen Elvis?” (thus setting off a full-scale panic back at Graceland), Presley had arrived at the White House gates uninvited, asking to see the president.

Elvis explained to an astonished security guard that he knew the president was very busy, but that he would just like to say hello and give him a gift (a commemorative World War II .45 caliber pistol). He also bore in his hand a six-page handwritten requesting – incredulously enough –  to be appointed a “Federal Agent-at-Large” in the Bureau of Narcotics and Dangerous Drugs.

Once it had been determined that the letter was genuine and that this heavily armed, velvet and suede-clad man at the gate really was THE Elvis Presley, phones began ringing frantically all over the White House. “What the hell do we do with this guy?” was the question of the day. Elvis waited patiently in his three-room suite back at the Hotel Washington while the president’s men scrambled to accommodate his bizarre request.

In a staff memo fired off quickly to Nixon’s Chief of Staff H.R. Haldeman, the president’s Special Assistant Dwight Chapin suggested that “if the president wants to meet with some bright young people outside of the government, Presley might be a perfect one to start with.”

Haldeman scribbled in the margins of the memo, “you must be kidding.”

Nevertheless, he approved the visit, and Presley was finally allowed entry into an inner sanctum that no rock-and-roller before him had ever penetrated: the oval office.

That groundbreaking summit brought a new whiff of respectability to rock and roll music, and yet even by the early 1980′s, rock bands still weren’t exactly welcome visitors on Washington’s elite holiday party circuit. Reagan’s Secretary of the Interior James Watt memorably banned the clean-cut, all-American Beach Boys from the annual July 4th Concert on the Mall in 1983.

Watt had announced that all rock bands attracted “the wrong element,” and that the Reagan administration opted for a “wholesome” program with Wayne Newton. “We’re not going to encourage drug abuse and alcoholism,” Watt sniffed, “as was done in the past.”

Secretary Watt was apparently unaware that the Beach Boys had played the White House just a month before in June, at Ron and Nancy Reagan’s personal request. Watt later apologized to the Beach Boys after learning the Reagans were fans of the band. Reagan gave James Watt a “shoot yourself in the foot” award over the embarrassing incident and invited the Beach Boys back in 1985 to play his second Inaugural concert. The times they were a-changin’, but still…not that much.

YOUR TIME IS GONNA COME

Had you told me then – some thirty years ago during the waning years of the long, Cold War – that a Russian ballerina, a black bluesman from Lettsworth, Louisiana, and the English kings of debauch, Led Freaking Zeppelin, would be honored at the White House by the nation’s first black president within our lifetimes, I would have told you to dream on and fuck off.

But there they were: ballerina Natalia Makarova, blues legend Buddy Guy, Zeppelin’s Jimmy Page, Robert Plant and John Paul Jones, all sitting quietly in the distinguished East Room of the White House on December 3, 2012. Unlike previous visits by Elvis Presley and The Beach Boys, these artists were not unexpected visitors or performing court jesters; they were honored guests of the president.

As I listened intently to president Obama singing their collective praises – along with their fellow Kennedy Center Honorees Dustin Hoffman and David Letterman – I could only shake my head in amazement and think to myself, “this can’t be happening!”

L to R: Robert Plant, Jimmy Page and John Paul Jones of Led Zeppelin, Natalia Makarova, David Letterman, Dustin Hoffman, Buddy Guy, and President Barack Obama.

L to R: Robert Plant, Jimmy Page and John Paul Jones of Led Zeppelin, Natalia Makarova, David Letterman, Dustin Hoffman, Buddy Guy, and President Barack Obama.

On more than a few occasions during the ceremony I saw that same “look how far we’ve come” grin spread across the faces of several attendees, including one Jimmy Page, who later called the whole experience “surreal, like a dream.”

When asked if they had ever been invited to the White House before, Robert Plant exploded in a cackle of laughter. “Naaaah, you’re joking, right?” Reflecting back in time, Plant’s face suddenly turned stoic, and a hint of bitterness crept into his tone.

“We were hardly the toast of the American political establishment back then,” Plant pointed out sharply. “Your government and police certainly were interested in us, but not for our music. But we were being questioned quite often!”

The native British band expressed great excitement (and perhaps some befuddlement) at being chosen for this prestigious award, because the Honorees are recognized for making unique contributions to American culture. Of the 178 recipients of the Kennedy Center Honors over the past three and a half decades, only one other British rock band has been chosen: The Who in 2008.

Led Zeppelin guitarist and sonic architect Jimmy Page considers the selection of Led Zeppelin in 2012 to be “a terrific honor.”

“We owe such a massive debt to American music,” Page said. “It’s a thing that definitely seduced us all to be want to be part of the music.”

“Everything that we talk about is American, from our music tastes more or less (and maybe north African and Egyptian).” Plant agreed. “Our mutual love of and absolute and total influence by American music whether its from Mississippi or Chicago in 1982 – it’s great because we’re sort of Americans but…not – of course.”

Although Plant is still a British citizen, he now lives part-time in Austin, Texas with his musical partner and lady love Patty Griffin. “I do consider myself an American in many ways,” Plant said. “Austin feels like home to me now.”

“So the fact that we get to go to this thing and meet the most dynamic and charismatic American outside of America – Obama – bar none is a great, great privilege.”

A short time later Plant, Page, and Jones were shaking the president’s hand during a White House reception preceding the Kennedy Center Honors. In a wildly mixed crowd that included celebrities such as Morgan Freeman, Lenny Kravitz and Page’s old school chum Jeff Beck, there were still plenty of old-guard Washingtonians propped up on their walkers and canes, casting disapproving glances at these gray haired, tuxedo-clad hippies actually being honored in the East Room. There goes the neighborhood, indeed.

President Obama roasted the members of Led Zeppelin in his remarks to the Kennedy Center Honorees at the White House.

President Obama roasted the members of Led Zeppelin in his remarks to the Kennedy Center Honorees at the White House.

DAZED AND CONFUSED

“It’s been said that a generation of young people survived teenage angst with a pair of headphones and a Led Zeppelin album,” President Obama said in his remarks to the Honorees. “And a generation of parents wondered what all that noise was about.

“But even now, 32 years after John Bonham’s passing — and we all I think appreciate the fact — the Zeppelin legacy lives on,” Obama proclaimed. “The last time the band performed together in 2007 — perhaps the last time ever, but we don’t know — more than 20 million fans from around the world applied for tickets. And what they saw was vintage Zeppelin. No frills, no theatrics, just a few guys who can still make the ladies weak at the knees, huddled together, following the music.”

The president’s speechwriters couldn’t resist that niggling temptation to rib the members of Led Zeppelin over their party-boy reputations.

“Of course, these guys also redefined the rock and roll lifestyle.  We do not have video of this,” President Obama quipped. “But there were some hotel rooms trashed and mayhem all around.  So it’s fitting that we’re doing this in a room with windows that are about three inches thick and Secret Service all around. So just settle down, guys…these paintings are valuable.”

·    The Kennedy Center Honors will air on CBS December 26. Part Two of TCBH’s coverage takes us to the Kennedy Center for an all-star tribute to the 2012 Honorees, and more with the members of Led Zeppelin.

 

 

 

John Paul Jones, Robert Plant, and Jimmy Page of Led Zeppelin at the Kennedy Center Honors ceremony, Dec. 2, 2012.John F. Kennedy Center for the Performing Arts, Washington, D.C.

John Paul Jones, Robert Plant, and Jimmy Page of Led Zeppelin at the Kennedy Center Honors ceremony, Dec. 2, 2012.
John F. Kennedy Center for the Performing Arts, Washington, D.C.

By Lori Spencer

Yahoo! News

 

Of all the many honors and lifetime achievement awards Led Zeppelin has racked up through the years, being honored by the Kennedy Center may be the one they are most proud of.

The annual award is given to performing artists who have made a unique contribution to American culture. Of the 178 recipients of the Kennedy Center Honors over the past three and a half decades, only one other British band has been chosen (The Who in 2008). Led Zeppelin’s Jimmy Page considers the selection of Led Zeppelin in 2012 to be “a terrific honor.”

“We owe such a massive debt to American music,” Page said. “It’s a thing that definitely seduced us all to be want to be part of the music.”

Page explained that the four members of Led Zeppelin grew up listening to American blues, rock and country artists as young men growing up in England during the 1950s and 60s, which in turn heavily influenced the sound of Led Zeppelin.

“We were accessing this music through the radio and records that we mail-ordered from the States, or that someone had managed to get somehow,” he said. “It was a major part of how we became what we were, which was musicians caught up in this whole movement of American roots-based music.”

“Everything that we talk about is American, from our music tastes more or less (and maybe north African and Egyptian).” Vocalist Robert Plant agreed. “Our mutual love of and absolute and total influence by American music whether its from Mississippi or Chicago…”

(Read the rest of the story HERE.)

 

By Lori Spencer

Yahoo! Music News

Led Zeppelin's Jimmy Page, Robert Plant, and Jason Bonham (son of late drummer John Bonham) have a laugh during a press conference to launch the release of "Celebration Day." The Museum of Modern Art, New York, October 9, 2012.

Led Zeppelin’s Jimmy Page, Robert Plant, and Jason Bonham (son of late drummer John Bonham) have a laugh during a press conference to launch the release of “Celebration Day.” The Museum of Modern Art, New York, October 9, 2012.

If not for Atlantic Records Ahmet Ertegun, Led Zeppelin may well have languished away in obscurity, or been banished to the one-hit wonder pile. It was the late Atlantic Records co-founder and president who took a very personal interest in the group, above and beyond the call of duty. From the first time he ever listened to Zeppelin’s self-produced first album in 1968, Ertegun became the band’s champion at the label and nurtured their growth over the years like a proud father.

Another band Ertegun remained close friends with over the years was the Rolling Stones. While attending a concert at New York’s Beacon Theatre six years ago this month, Ertegun fell down a flight of stairs and hit his head on the concrete floor. He later slipped into a coma and died December 14, 2006 at the age of 83.

Led Zeppelin was at first devastated by the loss of their mentor, but Ertegun’s death would soon propel them into positive action. The tragic event actually become the impetus for a reunion concert both Mr. Ertegun and Zeppelin’s fans had waited 27 years for.

The surviving members of Led Zeppelin – Jimmy Page, Robert Plant, John Paul Jones and the late drummer John Bonham’s son Jason – agreed to get the band back together one last time in Ahmet’s memory. One year later, the dream became reality when they took the stage at London’s O2 Arena to raise money for the Ahmet Ertegun Education Fund.

(Read the rest of the story HERE.)

By Lori Spencer

Yahoo! Music News

John Paul Jones, Jimmy Page, Robert Plant and Jason Bonham in New York city, October 9, 2012.

John Paul Jones, Jimmy Page, Robert Plant and Jason Bonham in New York city, October 9, 2012.

 

On the afternoon of September 25, 1980, Led Zeppelin drummer John Bonham was found dead in the guest room of Jimmy Page’s Windsor, England home. And with that tragic turn of events, the musical phenomenon once known as Zeppelin came to a sudden, crashing halt. The surviving band members quickly issued a statement announcing that they were in fact disbanding out of “the deep respect we have for his family,” stating that Led Zeppelin “could not continue as we were.”

As the years passed and John Bonham’s son Jason later came of age, a strange thing happened: he not only grew into a highly intelligent and articulate young man, but also a powerhouse drummer in his own right. The other members of Led Zeppelin certainly took notice. In 1988, Jason was invited to step into his father’s big shoes at the Atlantic Records 40 th Anniversary concert where Zeppelin reunited for a brief half-hour set.

He was again called upon to fill the drum chair in 2007 when Jimmy Page, Robert Plant, and John Paul Jones decided to regroup for a one-off reunion concert at London’s O2 Arena.

(Story continues HERE.)

The Monkees in 1966: L to R: Davy Jones, Mickey Dolenz, Peter Tork, and Michael Nesmith.

By Lori Spencer

Yahoo! Music News

Davy Jones, the handsome British vocalist who melted the hearts of young girls in the 1960s, has died. Jones passed away at his Florida home Wednesday of a heart attack, according to the medical examiner’s office. He was 66.

Jones, best-known for his role in the famed TV series “The Monkees,” was the heartthrob of the band, making American teen girls swoon with his mop-top hair, big brown eyes, and megawatt smile. His fellow bandmates often teased Jones about his teen idol status and his height (he stood at only 5’3″). Monkees drummer Mickey Dolenz enjoyed jokingly introducing Jones as “Davey, the little short English one.”

His voice can be heard on some of the Monkees biggest hits. Jones took the lead on classics such as Boyce & Hart’s “Valleri,” “I Wanna Be Free,” “Daydream Believer,” (written by the Kingston Trio’s John Stewart) and “Cuddly Toy” (penned by Harry Nilsson).

Davy Jones was born Dec. 30, 1945 in Manchester, England. When he was 15…

(Story continues at http://voices.yahoo.com/im-bereaver-monkees-singer-davy-jones-dead-10914021.html )

 

Cover of the Etta James classic 1963 live album, "Rocks the House" (Chess Records)

By Lori Spencer

Yahoo! News

 

Private funeral services for four-time Grammy Award winner Etta James were held Saturday in Los Angeles. James died January 20 after a two-year battle with leukemia at age 73.

A public viewing Friday at Inglewood Cemetery drew hundreds of her fans. While the sound of her classic records wafted through the parking lot, mourners waited in line for hours to pass by the open casket. James was laid to rest in a simple black suit with gold embroidery, still looking every bit the diva.

Stevie Wonder, Christina Aguilera, and other celebrities came to pay their final respects. Stevie Wonder performed four songs, including…

 

Story continues here.

 

John Lennon

Kurt Cobain

By Lori Spencer

Featured Contributor, Yahoo! Music

 

The many comparisons between John Lennon and Kurt Cobain generally tend to focus on the celebrity aspect of their lives and their controversial marriages to Yoko Ono and Courtney Love, respectively. But very seldom does the media bother to analyze the many similarities in their music. It is the music, after all, that mattered most to both men, and it was through their music they allowed the public to see what really made them tick.

The Beatles were undoubtedly one of Kurt Cobain’s earliest musical influences. His aunt…

 

Continue reading this article here.

 

By Lori Spencer

 

To re-create dances from the 1970s, it helps to familiarize yourself with the era and styles. Many of the most popular dances of this era originated in the United States and were popularized around the world through movies and TV shows. A good way to start learning about the dances of the 1970s is to watch films and television from the era; Saturday Night Fever, for example, is a film that put dancing at the epicenter of American popular culture. This 1977 movie sparked massive dance crazes such as the Hustle and the Night Fever…(cont’d)

 

Read the full story here http://www.wisegeek.com/how-do-i-re-create-dances-from-the-1970s.htm

By Lori Spencer

 

In the 1950s, teens often congregated after school to drink soda pop, spin records, also known as “platters,” and learn the latest dances. They would show off their moves at the local Sock Hop, an informal dance event that was usually held in the high school gym; to avoid scratching up the gymnasium’s varnished floor, students were ordered to take off their shoes. US music and culture had a strong influence around the world in the 1950s, as different types of music flourished during this decade, advances in technology made that music more easily available, and US servicemen stationed overseas brought the music with them. Popular dances included the limbo, the twist, the slop, and the Lindy hop, all of which…

Read the whole story here http://www.wisegeek.com/how-do-i-re-create-dances-from-the-1950s.htm

By Lori Spencer

 

A fanfare is a bold and brief piece of music used to announce the coming of an important person or event. You’ll hear them at sporting competitions like the Olympics, at military and official government ceremonies, and often in movies or TV shows as opening theme music.

Featuring dotted rhythms, repeated patterns and a harmonic series of notes, fanfares are generally brass- and percussion-dominant. This is both to get the listener’s attention and impart a sense of importance to the event…

 

 

Continued at http://www.ehow.com/list_7465874_characteristics-fanfare.html