Archive for the ‘Radio Stations’ Category

By Lori Spencer

 

Many of today’s music industry experts originally began their careers as college interns. Music industry internships provide invaluable experience for young aspirants and offer a chance to learn the ropes of the music business. Types of music industry internships vary widely, from performing clerical tasks to working in promotions and marketing, or recording studio apprenticeships. Perks and bonuses may include free concert tickets and the opportunity to meet famous musical artists. Not all the work is glamorous, however; interns are frequently assigned menial jobs such as running errands, fetching coffee, answering phones and cleaning up the studio after hours.

Music industry internships can be the key that opens doors in a business that is notoriously difficult to break into. College students typically…(cont’d)

 

Read the whole story here: http://www.wisegeek.com/what-are-the-different-types-of-music-industry-internships.htm

By Lori Spencer

 

If your treasured vinyl records are skipping, there could be several reasons why. Dirt, dust or other debris in the grooves of the record are the most common cause of record skips. Your turntable’s arm may need balancing, or the stylus could be worn out. The good news is that all of these problems can be fixed with a minimum of cost and effort. The bad news is, if the skipping is being caused by…

 

Continued at: http://www.ehow.com/how_8209913_fix-record-skips.html

By Lori Spencer

 

If you enjoy playing the radio as background music for employees and customers at your place of business, you may unwittingly be violating copyright laws. Without a proper license or permission from the copyright owner, re-broadcasting music is illegal. The best way to avoid this potential problem is to simply acquire a license from Broadcast Music International (BMI), the American Societyof Composers, Authors, and Publishers (ASCAP) or the performing rights organization…

By Lori Spencer

Radio has always been a competitive and challenging industry to break into, even more so in the age of media consolidation. Jobs that pay well are few and far between, often requiring relocation to a city far from home. Computer automation of radio stations means less airtime available for live personalities. The frequent turnover of station management and format changes presents little job security; typically an entire staff is let go when a radio station changes hands. Despite these drawbacks, if you still want to become a radio programmer, there are some time-tested methods for getting your foot in the door.

Although a college degree is not necessarily required to become a radio programmer…

Read more at http://www.wisegeek.com/how-do-i-become-a-radio-programmer.htm

By Lori Spencer

Programming a country music radio station is a challenge these days, radio programmers agree. What programmers can’t seem to agree on, however, is a format. While some DJs, program and music directors say this fluidity signals a healthyperiod of growth for country radio, traditionalists warn that playing too many crossover artists dilutes the brand. The good news for country radio today is that programmers have greater freedom in creating and defining their station’s unique sound. Whether playing traditional country or blazing new trails…

Make no mistake about it — the broadcast industry has changed significantly in the past two decades. Media ownership is now consolidated into fewer hands, major media outlets are suffering budgetary woes, automating programming, and cutting jobs. The Internet has revolutionized broadcasting as we know it, offering news and entertainment options galore with the click of a mouse. The programming consumers once paid for is now readily available for free online. As a result, many professional broadcasters now find themselves working for much smaller salaries, if they can find work at all.

While the broadcaster is in no immediate danger of becoming an endangered species….

By Lori Spencer

Audio engineering careers require versatility and the ability to adapt to working in a variety of sound formats and applications. One day, an engineer might be making an album for a major rock artist; the next day, he or she might be editing a film soundtrack or mixing a classical 120-piece orchestra‘s recording of Beethoven‘s Ninth Symphony. Jobs in sound engineering range include things such as running live sound at concerts, producing radio and television shows, creating sound for video games, performing audio post production or even designing entire public address (PA) systems and recording studios.

Continued at http://www.wisegeek.com/what-are-the-different-types-of-jobs-in-sound-engineering.htm

By Lori Spencer

If you love music, are fascinated by technology and are lucky enough to have very precise hearing, you may have what it takes to become an audio engineer. Producing or engineering an album for one of the world’s top artists is certainly a desirable goal for many, but competition for jobs in the recording industry is fierce. If you want to rise to the top of the heap, you’ll need more than just training or technical expertise. Being a successful audio engineer also requires determination, persistence, patience, industry connections, people skills, and of course, talent.

Continued at http://www.wisegeek.com/how-do-i-become-an-audio-engineer.htm

See also related story “How Do I Become a Broadcast Engineer” by Lori Spencer for radio, tv and film career-specific advice:

http://www.wisegeek.com/how-do-i-become-a-broadcast-engineer.htm

By Lori Spencer

The crystal and ceramic pickups of yesteryear’s record players have been replaced by the magnetic cartridge — now the standard for modern turntables. Although they lack the amplification of the old crystal or ceramic pickups, magnetic turntable cartridges track much lighter across the record, thus causing less wear in the groove. There are two basic types of magnetic turntable cartridges: moving magnet (also known as MM) and moving coil (MC).

Continued at http://www.wisegeek.com/what-are-the-different-types-of-turntable-cartridges.htm

By Lori Spencer

A record player preamp is a necessary piece of gear for increasing the signal of a turntable. While CD players, cassette decks, and other stereo components have plenty of gain, turntables produce much lower output and require additional amplification. That’s where the record player preamp comes in, giving turntables the extra boost they need. Phono preamps were commonly built in to older stereo receivers and power amps so that the turntable could be directly connected. Due to the consumer migration from LPs to CDs in the 1980s and 90s, most newer stereo systems don’t even have a phono input at all, much less a preamp built in.

Continued at http://www.wisegeek.com/what-is-a-record-player-preamp.htm