Archive for the ‘Record Industry’ Category

Jimmy Page, John Paul Jones, and Robert Plant are finally talking about what's next...

Jimmy Page, John Paul Jones, and Robert Plant are finally talking about what’s next…a new album, perhaps? A tour in 2013?

By Lori Spencer

Yahoo! Music News

Although they’ve been officially broken up since 1980, Led Zeppelin actually had the most triumphant year of their career in 2012.

The surviving members — Jimmy Page, Robert Plant, and John Paul Jones — regrouped last year to prepare and promote the release of their 2007 London reunion concert as a CD/DVD set and feature film (“Celebration Day“). Fans and critics responded with such praise that whispers of another possible reunion album or tour are now swirling around again.

The band was also honored by the Kennedy Center and President Barack Obama last month in Washington. As the three elder musicians sat in the balcony watching an all-star cavalcade of rock stars including the Foo Fighters, Lenny Kravitz, Kid Rock, and Heart pay tribute to them, Robert Plant became visibly choked up.

Story continues HERE.

By Lori Spencer

Contributing Editor

This Can’t Be Happening!

According to the National Archives, one item has been requested more than any other over the past forty two years; more than the Bill of Rights or even the Constitution of the United States. Yes, it's the  iconic photograph of Elvis Presley shaking hands with President Richard M. Nixon on the occasion of Presley's visit to the White House. December 21, 1970.

According to the National Archives, one item has been requested more than any other over the past forty two years; more than the Bill of Rights or even the Constitution of the United States. Yes, it’s the iconic photograph of Elvis Presley shaking hands with President Richard M. Nixon on the occasion of Presley’s visit to the White House. December 21, 1970.

It was a few days before Christmas, 1970, and Elvis Presley was suddenly obsessed with a strange notion. Not another late-night private shopping spree for Lisa Marie, or a cross-country hamburger run this time. No, what Presley had in mind was far more important: the trumpet of destiny was once again beckoning him to her siren call. It had been decided somehow in his drug-addled mind that the King of Rock and Roll should meet the President of the United States. Not next week; not next year, or in the next decade: this had to happen right now.

Within hours, and without telling anyone in his Memphis Mafia entourage, Elvis was on a red-eye flight to Washington, D.C. – alone. Before Vernon Presley could say, “has anybody seen Elvis?” (thus setting off a full-scale panic back at Graceland), Presley had arrived at the White House gates uninvited, asking to see the president.

Elvis explained to an astonished security guard that he knew the president was very busy, but that he would just like to say hello and give him a gift (a commemorative World War II .45 caliber pistol). He also bore in his hand a six-page handwritten requesting – incredulously enough –  to be appointed a “Federal Agent-at-Large” in the Bureau of Narcotics and Dangerous Drugs.

Once it had been determined that the letter was genuine and that this heavily armed, velvet and suede-clad man at the gate really was THE Elvis Presley, phones began ringing frantically all over the White House. “What the hell do we do with this guy?” was the question of the day. Elvis waited patiently in his three-room suite back at the Hotel Washington while the president’s men scrambled to accommodate his bizarre request.

In a staff memo fired off quickly to Nixon’s Chief of Staff H.R. Haldeman, the president’s Special Assistant Dwight Chapin suggested that “if the president wants to meet with some bright young people outside of the government, Presley might be a perfect one to start with.”

Haldeman scribbled in the margins of the memo, “you must be kidding.”

Nevertheless, he approved the visit, and Presley was finally allowed entry into an inner sanctum that no rock-and-roller before him had ever penetrated: the oval office.

That groundbreaking summit brought a new whiff of respectability to rock and roll music, and yet even by the early 1980′s, rock bands still weren’t exactly welcome visitors on Washington’s elite holiday party circuit. Reagan’s Secretary of the Interior James Watt memorably banned the clean-cut, all-American Beach Boys from the annual July 4th Concert on the Mall in 1983.

Watt had announced that all rock bands attracted “the wrong element,” and that the Reagan administration opted for a “wholesome” program with Wayne Newton. “We’re not going to encourage drug abuse and alcoholism,” Watt sniffed, “as was done in the past.”

Secretary Watt was apparently unaware that the Beach Boys had played the White House just a month before in June, at Ron and Nancy Reagan’s personal request. Watt later apologized to the Beach Boys after learning the Reagans were fans of the band. Reagan gave James Watt a “shoot yourself in the foot” award over the embarrassing incident and invited the Beach Boys back in 1985 to play his second Inaugural concert. The times they were a-changin’, but still…not that much.

YOUR TIME IS GONNA COME

Had you told me then – some thirty years ago during the waning years of the long, Cold War – that a Russian ballerina, a black bluesman from Lettsworth, Louisiana, and the English kings of debauch, Led Freaking Zeppelin, would be honored at the White House by the nation’s first black president within our lifetimes, I would have told you to dream on and fuck off.

But there they were: ballerina Natalia Makarova, blues legend Buddy Guy, Zeppelin’s Jimmy Page, Robert Plant and John Paul Jones, all sitting quietly in the distinguished East Room of the White House on December 3, 2012. Unlike previous visits by Elvis Presley and The Beach Boys, these artists were not unexpected visitors or performing court jesters; they were honored guests of the president.

As I listened intently to president Obama singing their collective praises – along with their fellow Kennedy Center Honorees Dustin Hoffman and David Letterman – I could only shake my head in amazement and think to myself, “this can’t be happening!”

L to R: Robert Plant, Jimmy Page and John Paul Jones of Led Zeppelin, Natalia Makarova, David Letterman, Dustin Hoffman, Buddy Guy, and President Barack Obama.

L to R: Robert Plant, Jimmy Page and John Paul Jones of Led Zeppelin, Natalia Makarova, David Letterman, Dustin Hoffman, Buddy Guy, and President Barack Obama.

On more than a few occasions during the ceremony I saw that same “look how far we’ve come” grin spread across the faces of several attendees, including one Jimmy Page, who later called the whole experience “surreal, like a dream.”

When asked if they had ever been invited to the White House before, Robert Plant exploded in a cackle of laughter. “Naaaah, you’re joking, right?” Reflecting back in time, Plant’s face suddenly turned stoic, and a hint of bitterness crept into his tone.

“We were hardly the toast of the American political establishment back then,” Plant pointed out sharply. “Your government and police certainly were interested in us, but not for our music. But we were being questioned quite often!”

The native British band expressed great excitement (and perhaps some befuddlement) at being chosen for this prestigious award, because the Honorees are recognized for making unique contributions to American culture. Of the 178 recipients of the Kennedy Center Honors over the past three and a half decades, only one other British rock band has been chosen: The Who in 2008.

Led Zeppelin guitarist and sonic architect Jimmy Page considers the selection of Led Zeppelin in 2012 to be “a terrific honor.”

“We owe such a massive debt to American music,” Page said. “It’s a thing that definitely seduced us all to be want to be part of the music.”

“Everything that we talk about is American, from our music tastes more or less (and maybe north African and Egyptian).” Plant agreed. “Our mutual love of and absolute and total influence by American music whether its from Mississippi or Chicago in 1982 – it’s great because we’re sort of Americans but…not – of course.”

Although Plant is still a British citizen, he now lives part-time in Austin, Texas with his musical partner and lady love Patty Griffin. “I do consider myself an American in many ways,” Plant said. “Austin feels like home to me now.”

“So the fact that we get to go to this thing and meet the most dynamic and charismatic American outside of America – Obama – bar none is a great, great privilege.”

A short time later Plant, Page, and Jones were shaking the president’s hand during a White House reception preceding the Kennedy Center Honors. In a wildly mixed crowd that included celebrities such as Morgan Freeman, Lenny Kravitz and Page’s old school chum Jeff Beck, there were still plenty of old-guard Washingtonians propped up on their walkers and canes, casting disapproving glances at these gray haired, tuxedo-clad hippies actually being honored in the East Room. There goes the neighborhood, indeed.

President Obama roasted the members of Led Zeppelin in his remarks to the Kennedy Center Honorees at the White House.

President Obama roasted the members of Led Zeppelin in his remarks to the Kennedy Center Honorees at the White House.

DAZED AND CONFUSED

“It’s been said that a generation of young people survived teenage angst with a pair of headphones and a Led Zeppelin album,” President Obama said in his remarks to the Honorees. “And a generation of parents wondered what all that noise was about.

“But even now, 32 years after John Bonham’s passing — and we all I think appreciate the fact — the Zeppelin legacy lives on,” Obama proclaimed. “The last time the band performed together in 2007 — perhaps the last time ever, but we don’t know — more than 20 million fans from around the world applied for tickets. And what they saw was vintage Zeppelin. No frills, no theatrics, just a few guys who can still make the ladies weak at the knees, huddled together, following the music.”

The president’s speechwriters couldn’t resist that niggling temptation to rib the members of Led Zeppelin over their party-boy reputations.

“Of course, these guys also redefined the rock and roll lifestyle.  We do not have video of this,” President Obama quipped. “But there were some hotel rooms trashed and mayhem all around.  So it’s fitting that we’re doing this in a room with windows that are about three inches thick and Secret Service all around. So just settle down, guys…these paintings are valuable.”

·    The Kennedy Center Honors will air on CBS December 26. Part Two of TCBH’s coverage takes us to the Kennedy Center for an all-star tribute to the 2012 Honorees, and more with the members of Led Zeppelin.

 

 

 

By Lori Spencer

Yahoo! Music News

Led Zeppelin's Jimmy Page, Robert Plant, and Jason Bonham (son of late drummer John Bonham) have a laugh during a press conference to launch the release of "Celebration Day." The Museum of Modern Art, New York, October 9, 2012.

Led Zeppelin’s Jimmy Page, Robert Plant, and Jason Bonham (son of late drummer John Bonham) have a laugh during a press conference to launch the release of “Celebration Day.” The Museum of Modern Art, New York, October 9, 2012.

If not for Atlantic Records Ahmet Ertegun, Led Zeppelin may well have languished away in obscurity, or been banished to the one-hit wonder pile. It was the late Atlantic Records co-founder and president who took a very personal interest in the group, above and beyond the call of duty. From the first time he ever listened to Zeppelin’s self-produced first album in 1968, Ertegun became the band’s champion at the label and nurtured their growth over the years like a proud father.

Another band Ertegun remained close friends with over the years was the Rolling Stones. While attending a concert at New York’s Beacon Theatre six years ago this month, Ertegun fell down a flight of stairs and hit his head on the concrete floor. He later slipped into a coma and died December 14, 2006 at the age of 83.

Led Zeppelin was at first devastated by the loss of their mentor, but Ertegun’s death would soon propel them into positive action. The tragic event actually become the impetus for a reunion concert both Mr. Ertegun and Zeppelin’s fans had waited 27 years for.

The surviving members of Led Zeppelin – Jimmy Page, Robert Plant, John Paul Jones and the late drummer John Bonham’s son Jason – agreed to get the band back together one last time in Ahmet’s memory. One year later, the dream became reality when they took the stage at London’s O2 Arena to raise money for the Ahmet Ertegun Education Fund.

(Read the rest of the story HERE.)

The Monkees in 1966: L to R: Davy Jones, Mickey Dolenz, Peter Tork, and Michael Nesmith.

By Lori Spencer

Yahoo! Music News

Davy Jones, the handsome British vocalist who melted the hearts of young girls in the 1960s, has died. Jones passed away at his Florida home Wednesday of a heart attack, according to the medical examiner’s office. He was 66.

Jones, best-known for his role in the famed TV series “The Monkees,” was the heartthrob of the band, making American teen girls swoon with his mop-top hair, big brown eyes, and megawatt smile. His fellow bandmates often teased Jones about his teen idol status and his height (he stood at only 5’3″). Monkees drummer Mickey Dolenz enjoyed jokingly introducing Jones as “Davey, the little short English one.”

His voice can be heard on some of the Monkees biggest hits. Jones took the lead on classics such as Boyce & Hart’s “Valleri,” “I Wanna Be Free,” “Daydream Believer,” (written by the Kingston Trio’s John Stewart) and “Cuddly Toy” (penned by Harry Nilsson).

Davy Jones was born Dec. 30, 1945 in Manchester, England. When he was 15…

(Story continues at http://voices.yahoo.com/im-bereaver-monkees-singer-davy-jones-dead-10914021.html )

 

Cover of the Etta James classic 1963 live album, "Rocks the House" (Chess Records)

By Lori Spencer

Yahoo! News

 

Private funeral services for four-time Grammy Award winner Etta James were held Saturday in Los Angeles. James died January 20 after a two-year battle with leukemia at age 73.

A public viewing Friday at Inglewood Cemetery drew hundreds of her fans. While the sound of her classic records wafted through the parking lot, mourners waited in line for hours to pass by the open casket. James was laid to rest in a simple black suit with gold embroidery, still looking every bit the diva.

Stevie Wonder, Christina Aguilera, and other celebrities came to pay their final respects. Stevie Wonder performed four songs, including…

 

Story continues here.

 

John Lennon

Kurt Cobain

By Lori Spencer

Featured Contributor, Yahoo! Music

 

The many comparisons between John Lennon and Kurt Cobain generally tend to focus on the celebrity aspect of their lives and their controversial marriages to Yoko Ono and Courtney Love, respectively. But very seldom does the media bother to analyze the many similarities in their music. It is the music, after all, that mattered most to both men, and it was through their music they allowed the public to see what really made them tick.

The Beatles were undoubtedly one of Kurt Cobain’s earliest musical influences. His aunt…

 

Continue reading this article here.

 

By Lori Spencer

 

Many of today’s music industry experts originally began their careers as college interns. Music industry internships provide invaluable experience for young aspirants and offer a chance to learn the ropes of the music business. Types of music industry internships vary widely, from performing clerical tasks to working in promotions and marketing, or recording studio apprenticeships. Perks and bonuses may include free concert tickets and the opportunity to meet famous musical artists. Not all the work is glamorous, however; interns are frequently assigned menial jobs such as running errands, fetching coffee, answering phones and cleaning up the studio after hours.

Music industry internships can be the key that opens doors in a business that is notoriously difficult to break into. College students typically…(cont’d)

 

Read the whole story here: http://www.wisegeek.com/what-are-the-different-types-of-music-industry-internships.htm

By Lori Spencer

 

In the music industry, artists and record companies are marketing a product: themselves. They market physical products as well, a band’s latest CD, a DVD, or other official merchandise, and items simply will not sell by mere virtue of their release. A savvy music marketer knows that promotion, publicity, advertising, and branding are absolutely essential to generating sales. Without a creative and aggressive marketing campaign, a truly amazing album or artist might never find a sizable audience. Musician marketing involves employing all of these methods to get the music heard by as many potential buyers as possible.

The Internet has revolutionized the way music reaches listeners, for better or worse. Prior to the mid-1990s, musician marketing was chiefly…(cont’d)

 

Read the rest of the story at http://www.wisegeek.com/what-is-involved-in-musician-marketing.htm

By Lori Spencer

 

Recording contracts are legally binding agreements between an artist and the record label defining the rights, obligations and remedies for each party. A recording deal may just be for a single project, or on a “per album” basis, but most are long term commitments of three to seven years with periodic options to renew. As the record company is making a considerable financial investment in the costs of making and producing albums, they naturally expect a substantial return.

This tutorial covers many of the key points to negotiate in a record deal, but is not intended as legal advice. Always have an experienced entertainment law attorney review any record contracts before signing.

Step 1

Negotiate the most important thing first: who retains creative control – artist or record company? Artists will of course try to retain as much control over their own work as possible, but most major record label contracts reserve the right for the company to veto the artist’s choice of studio, producer, songs, musicians, cover art and the like.

Step 2

Discuss the length of the proposed contract. As record contracts generally sign artists for a certain number of records (not years), it could be a one-record deal or a six record deal. There is an option to renew after each album or period of time, usually at the record company’s option. “Options” are explained further in Reference 2.

Step 3

Have your contract clearly define the extent of exclusivity. While every recording contract engages the exclusive services of the performer or group (meaning you can’t make records for any other companies during the contract term), some labels will try to push this exclusivity clause too far and unfairly bind artists from doing other projects.

Step 4

Estimate a recording budget for each album under the recording contract and negotiate an appropriate advance. It’s important not to ask for too much upfront, because these advance monies are fully recoupable from the artist’s future royalties. Think of it like a loan, and never borrow more than you can realistically pay back in a reasonable amount of time (based on sales expectations).

Step 5

Have your manager or attorney negotiate the best possible royalty rate they can get in the contract. Most new artists receive a royalty rate of between 9-14%. Many record contracts increase the artist’s royalty rate by degrees with each subsequent album based on performance and sales figures. Advances and production budgets generally will also increase with each album under the contract.

Step 6

Hammer out the details of a song publishing arrangement if the artist writes their own material. Most record labels will want a piece of the publishing pie, as this generates a significant amount of revenue for the company. Sometimes the split is as much as 50/50 between the songwriter and record label.

Step 7

Make certain your contract clearly defines both parties’ rights and obligations in regard to artist merchandising, publicity, marketing, promotion, public performances, touring, tour support, control/maintenance of artist’s official website, and other fine points involved in a standard recording contract.

Tips

As all things must eventually come to an end, make sure the recording contract sets a clear procedure for termination of the deal. It should also spell out the legal remedies available if one or the other party defaults. Labels sometimes go bankrupt or out of business and sell the artist’s contract to another record label; your contract needs to cover all of these “what if” scenarios that could happen down the road.

You may also want to insert a “key man” clause that states if your A&R rep, producer, or a key person within the record label or band should leave, the contract may be terminated.

Warnings

A “sideman’s clause” is recommended if the artist wants to be free to do studio work with other artists, appear on benefit or compilation albums, movie soundtracks, etc. Even with such a clause the artist will still need permission from the record company before recording elsewhere, but without a sideman’s clause, the artist (or members of the band) would not be allowed to appear as a guest on any other albums.

Key Concepts

  • record contract negotiation
  • record contract deal
  • recording artist contracts
  • entertainment law contracts
  • record deals contract
  • artist record company

References

User Bio

Lori Spencer has written professionally since 1986. She is the author of three nonfiction books, is writing her fourth and provides content for eHow and LIVESTRONG.COM. She also produces and hosts a weekly radio show. Her subjects of expertise include history, media, music, film and the performing arts.

By Lori Spencer

 

Making a record is the first step on every musical artist’s path to success. Here’s how to save time and money in the studio by doing it yourself.

 

Read the rest of the story at

http://www.suite101.com/content/self-producing-your-own-cd-a-guide-for-musicians-a382500