Archive for the ‘Roots Music’ Category

By Lori Spencer

Contributing Editor

This Can’t Be Happening!

According to the National Archives, one item has been requested more than any other over the past forty two years; more than the Bill of Rights or even the Constitution of the United States. Yes, it's the  iconic photograph of Elvis Presley shaking hands with President Richard M. Nixon on the occasion of Presley's visit to the White House. December 21, 1970.

According to the National Archives, one item has been requested more than any other over the past forty two years; more than the Bill of Rights or even the Constitution of the United States. Yes, it’s the iconic photograph of Elvis Presley shaking hands with President Richard M. Nixon on the occasion of Presley’s visit to the White House. December 21, 1970.

It was a few days before Christmas, 1970, and Elvis Presley was suddenly obsessed with a strange notion. Not another late-night private shopping spree for Lisa Marie, or a cross-country hamburger run this time. No, what Presley had in mind was far more important: the trumpet of destiny was once again beckoning him to her siren call. It had been decided somehow in his drug-addled mind that the King of Rock and Roll should meet the President of the United States. Not next week; not next year, or in the next decade: this had to happen right now.

Within hours, and without telling anyone in his Memphis Mafia entourage, Elvis was on a red-eye flight to Washington, D.C. – alone. Before Vernon Presley could say, “has anybody seen Elvis?” (thus setting off a full-scale panic back at Graceland), Presley had arrived at the White House gates uninvited, asking to see the president.

Elvis explained to an astonished security guard that he knew the president was very busy, but that he would just like to say hello and give him a gift (a commemorative World War II .45 caliber pistol). He also bore in his hand a six-page handwritten requesting – incredulously enough –  to be appointed a “Federal Agent-at-Large” in the Bureau of Narcotics and Dangerous Drugs.

Once it had been determined that the letter was genuine and that this heavily armed, velvet and suede-clad man at the gate really was THE Elvis Presley, phones began ringing frantically all over the White House. “What the hell do we do with this guy?” was the question of the day. Elvis waited patiently in his three-room suite back at the Hotel Washington while the president’s men scrambled to accommodate his bizarre request.

In a staff memo fired off quickly to Nixon’s Chief of Staff H.R. Haldeman, the president’s Special Assistant Dwight Chapin suggested that “if the president wants to meet with some bright young people outside of the government, Presley might be a perfect one to start with.”

Haldeman scribbled in the margins of the memo, “you must be kidding.”

Nevertheless, he approved the visit, and Presley was finally allowed entry into an inner sanctum that no rock-and-roller before him had ever penetrated: the oval office.

That groundbreaking summit brought a new whiff of respectability to rock and roll music, and yet even by the early 1980′s, rock bands still weren’t exactly welcome visitors on Washington’s elite holiday party circuit. Reagan’s Secretary of the Interior James Watt memorably banned the clean-cut, all-American Beach Boys from the annual July 4th Concert on the Mall in 1983.

Watt had announced that all rock bands attracted “the wrong element,” and that the Reagan administration opted for a “wholesome” program with Wayne Newton. “We’re not going to encourage drug abuse and alcoholism,” Watt sniffed, “as was done in the past.”

Secretary Watt was apparently unaware that the Beach Boys had played the White House just a month before in June, at Ron and Nancy Reagan’s personal request. Watt later apologized to the Beach Boys after learning the Reagans were fans of the band. Reagan gave James Watt a “shoot yourself in the foot” award over the embarrassing incident and invited the Beach Boys back in 1985 to play his second Inaugural concert. The times they were a-changin’, but still…not that much.

YOUR TIME IS GONNA COME

Had you told me then – some thirty years ago during the waning years of the long, Cold War – that a Russian ballerina, a black bluesman from Lettsworth, Louisiana, and the English kings of debauch, Led Freaking Zeppelin, would be honored at the White House by the nation’s first black president within our lifetimes, I would have told you to dream on and fuck off.

But there they were: ballerina Natalia Makarova, blues legend Buddy Guy, Zeppelin’s Jimmy Page, Robert Plant and John Paul Jones, all sitting quietly in the distinguished East Room of the White House on December 3, 2012. Unlike previous visits by Elvis Presley and The Beach Boys, these artists were not unexpected visitors or performing court jesters; they were honored guests of the president.

As I listened intently to president Obama singing their collective praises – along with their fellow Kennedy Center Honorees Dustin Hoffman and David Letterman – I could only shake my head in amazement and think to myself, “this can’t be happening!”

L to R: Robert Plant, Jimmy Page and John Paul Jones of Led Zeppelin, Natalia Makarova, David Letterman, Dustin Hoffman, Buddy Guy, and President Barack Obama.

L to R: Robert Plant, Jimmy Page and John Paul Jones of Led Zeppelin, Natalia Makarova, David Letterman, Dustin Hoffman, Buddy Guy, and President Barack Obama.

On more than a few occasions during the ceremony I saw that same “look how far we’ve come” grin spread across the faces of several attendees, including one Jimmy Page, who later called the whole experience “surreal, like a dream.”

When asked if they had ever been invited to the White House before, Robert Plant exploded in a cackle of laughter. “Naaaah, you’re joking, right?” Reflecting back in time, Plant’s face suddenly turned stoic, and a hint of bitterness crept into his tone.

“We were hardly the toast of the American political establishment back then,” Plant pointed out sharply. “Your government and police certainly were interested in us, but not for our music. But we were being questioned quite often!”

The native British band expressed great excitement (and perhaps some befuddlement) at being chosen for this prestigious award, because the Honorees are recognized for making unique contributions to American culture. Of the 178 recipients of the Kennedy Center Honors over the past three and a half decades, only one other British rock band has been chosen: The Who in 2008.

Led Zeppelin guitarist and sonic architect Jimmy Page considers the selection of Led Zeppelin in 2012 to be “a terrific honor.”

“We owe such a massive debt to American music,” Page said. “It’s a thing that definitely seduced us all to be want to be part of the music.”

“Everything that we talk about is American, from our music tastes more or less (and maybe north African and Egyptian).” Plant agreed. “Our mutual love of and absolute and total influence by American music whether its from Mississippi or Chicago in 1982 – it’s great because we’re sort of Americans but…not – of course.”

Although Plant is still a British citizen, he now lives part-time in Austin, Texas with his musical partner and lady love Patty Griffin. “I do consider myself an American in many ways,” Plant said. “Austin feels like home to me now.”

“So the fact that we get to go to this thing and meet the most dynamic and charismatic American outside of America – Obama – bar none is a great, great privilege.”

A short time later Plant, Page, and Jones were shaking the president’s hand during a White House reception preceding the Kennedy Center Honors. In a wildly mixed crowd that included celebrities such as Morgan Freeman, Lenny Kravitz and Page’s old school chum Jeff Beck, there were still plenty of old-guard Washingtonians propped up on their walkers and canes, casting disapproving glances at these gray haired, tuxedo-clad hippies actually being honored in the East Room. There goes the neighborhood, indeed.

President Obama roasted the members of Led Zeppelin in his remarks to the Kennedy Center Honorees at the White House.

President Obama roasted the members of Led Zeppelin in his remarks to the Kennedy Center Honorees at the White House.

DAZED AND CONFUSED

“It’s been said that a generation of young people survived teenage angst with a pair of headphones and a Led Zeppelin album,” President Obama said in his remarks to the Honorees. “And a generation of parents wondered what all that noise was about.

“But even now, 32 years after John Bonham’s passing — and we all I think appreciate the fact — the Zeppelin legacy lives on,” Obama proclaimed. “The last time the band performed together in 2007 — perhaps the last time ever, but we don’t know — more than 20 million fans from around the world applied for tickets. And what they saw was vintage Zeppelin. No frills, no theatrics, just a few guys who can still make the ladies weak at the knees, huddled together, following the music.”

The president’s speechwriters couldn’t resist that niggling temptation to rib the members of Led Zeppelin over their party-boy reputations.

“Of course, these guys also redefined the rock and roll lifestyle.  We do not have video of this,” President Obama quipped. “But there were some hotel rooms trashed and mayhem all around.  So it’s fitting that we’re doing this in a room with windows that are about three inches thick and Secret Service all around. So just settle down, guys…these paintings are valuable.”

·    The Kennedy Center Honors will air on CBS December 26. Part Two of TCBH’s coverage takes us to the Kennedy Center for an all-star tribute to the 2012 Honorees, and more with the members of Led Zeppelin.

 

 

 

By Lori Spencer

Yahoo! Music News

Led Zeppelin's Jimmy Page, Robert Plant, and Jason Bonham (son of late drummer John Bonham) have a laugh during a press conference to launch the release of "Celebration Day." The Museum of Modern Art, New York, October 9, 2012.

Led Zeppelin’s Jimmy Page, Robert Plant, and Jason Bonham (son of late drummer John Bonham) have a laugh during a press conference to launch the release of “Celebration Day.” The Museum of Modern Art, New York, October 9, 2012.

If not for Atlantic Records Ahmet Ertegun, Led Zeppelin may well have languished away in obscurity, or been banished to the one-hit wonder pile. It was the late Atlantic Records co-founder and president who took a very personal interest in the group, above and beyond the call of duty. From the first time he ever listened to Zeppelin’s self-produced first album in 1968, Ertegun became the band’s champion at the label and nurtured their growth over the years like a proud father.

Another band Ertegun remained close friends with over the years was the Rolling Stones. While attending a concert at New York’s Beacon Theatre six years ago this month, Ertegun fell down a flight of stairs and hit his head on the concrete floor. He later slipped into a coma and died December 14, 2006 at the age of 83.

Led Zeppelin was at first devastated by the loss of their mentor, but Ertegun’s death would soon propel them into positive action. The tragic event actually become the impetus for a reunion concert both Mr. Ertegun and Zeppelin’s fans had waited 27 years for.

The surviving members of Led Zeppelin – Jimmy Page, Robert Plant, John Paul Jones and the late drummer John Bonham’s son Jason – agreed to get the band back together one last time in Ahmet’s memory. One year later, the dream became reality when they took the stage at London’s O2 Arena to raise money for the Ahmet Ertegun Education Fund.

(Read the rest of the story HERE.)

Jerry Lee Lewis (aka "the Killer") has married his 7th wife.

By Lori Spencer

Yahoo! News

Jerry Lee Lewis may not be known as the “King of Rock n’ Roll,” but could be crowned a sort of “King Henry the 8th of Rock and Roll.” The rock legend now has England’s friskiest monarch beat by one wife (Henry the VIII only had six.)

The 76 year-old Lewis — whose classic hits include “Great Balls of Fire” and “While Lotta Shakin’ Goin’ On” — married his seventh wife, Judith Ann Coghlan Brown, on March 9 in Natchez, Miss.

There is a 14 year age difference between the couple. The bride is a close friend of Lewis’ daughter Phoebe. Apparently Brown and Lewis fell in love while she was working as his caretaker, a position she has held for the past several years.

The story then takes a few more interesting turns, to put it mildly.

As it happens, Judith Brown is the former wife of Rusty Brown, Lewis’ second cousin. Married for 24 years, the Browns divorced in 2010.

Now, tighten your seatbelts a little bit more: Rusty Brown would be the brother of Myra Gale Brown, the minor-cousin-once-removed whom Lewis married in 1957. Whew.

Jerry Lee Lewis and child bride/cousin Myra (then 14) in 1958.

This marriage to his 13-year-old cousin (Lewis was then 23) nearly ended the career of Jerry Lee Lewis at the height of his fame. The child bride scandal resulted in his records being banned from radio airplay and canceled tours all over the world. High School Confidential, indeed.

The bride’s sister, Carolyn Coghlan Gremillion, told the Associated Press on Friday that the wedding was small and private. The only guests were her family, Lewis’ sister, and her husband. She said that her sister was “real happy” to be marrying the rock and roll pioneer.

“They have a really very loving relationship.” Gremillion said. “I guess she’s probably really taken better care of him than anybody.”

But the bride’s ex-husband Rusty Brown (Lewis’ cousin) has a different opinion. In an exclusive interview with the National Enquirer, Rusty accused the rocker of stealing his wife.

“In 2010, I walked in on them and caught her rub­bing his legs — the way you’re not sup­posed to,” Lewis told the Enquirer. This revelation was especially painful to Brown, who not only was Lewis’ drummer for several years, but who claims that Lewis has been “like a second dad” to him since the age of three.

Story continues at: http://voices.yahoo.com/great-balls-fire-jerry-lee-lewis-marries-7th-11180460.html?cat=33

 

Cover of the Etta James classic 1963 live album, "Rocks the House" (Chess Records)

By Lori Spencer

Yahoo! News

 

Private funeral services for four-time Grammy Award winner Etta James were held Saturday in Los Angeles. James died January 20 after a two-year battle with leukemia at age 73.

A public viewing Friday at Inglewood Cemetery drew hundreds of her fans. While the sound of her classic records wafted through the parking lot, mourners waited in line for hours to pass by the open casket. James was laid to rest in a simple black suit with gold embroidery, still looking every bit the diva.

Stevie Wonder, Christina Aguilera, and other celebrities came to pay their final respects. Stevie Wonder performed four songs, including…

 

Story continues here.

 

 

 

 

By Lori Spencer

Yahoo! News

* A longer, in-depth version of this obituary appeared in This Can’t Be Happening! and OpEdNews

 

From their first meeting in 1953, the fates of Johnny Otis and Etta James seemed almost magically entwined.
Spunky little Jamesetta Hawkins, then 14 years old, was overheard rehearsing a song with her girl group The Creolettes in a San Francisco hotel bathroom. Outside the door, Johnny Otis’ ears perked up. “I knew instantly when I heard Etta sing in that bathroom audition that she would be a star,” he said decades later. “I heard the raw talent she possessed before she had developed.”

Johnny Otis – already famous for hits like “Harlem Nocturne,” “Castin’ My Spell on You,” and “Willie and the Hand Jive” – was also known as a radio disc jockey and a keen talent scout. His other discoveries included Big Mama Thornton, Johnny “Guitar” Watson, Little Richard,…

Story continues here.

By Lori Spencer

 

In the 1950s, teens often congregated after school to drink soda pop, spin records, also known as “platters,” and learn the latest dances. They would show off their moves at the local Sock Hop, an informal dance event that was usually held in the high school gym; to avoid scratching up the gymnasium’s varnished floor, students were ordered to take off their shoes. US music and culture had a strong influence around the world in the 1950s, as different types of music flourished during this decade, advances in technology made that music more easily available, and US servicemen stationed overseas brought the music with them. Popular dances included the limbo, the twist, the slop, and the Lindy hop, all of which…

Read the whole story here http://www.wisegeek.com/how-do-i-re-create-dances-from-the-1950s.htm

By Lori Spencer

 

Collectors of 78 rpm records treat their old shellac discs like rare and precious jewels, as often they are worth a great deal of money. Even the casual collector can learn much about caring for their 78s by talking to an experienced professional collector, curator, or trader of vintage records. Old 78 rpm shellac platters are extremely fragile, vulnerable to chips, cracking and breakage. They require special care and handling at all times and must be stored in conditions conducive to preservation.

Cleaning

Step 1

Use a damp terrycloth lint-free towel to remove surface dust and dirt. Never apply alcohol cleaning products to shellac discs — this strips the surface. For general cleaning, water works just fine. If the disc is really dirty, mix some mild dish-washing liquid with the water.

Step 2

Rub gently in the direction of the grooves. To prevent cracking of the disc, do this on a soft flat surface like a bed or sofa.

Step 3

Rinse or replace the towel frequently if cleaning more than just one or two records.

Step 4

Follow the cleaning towel with a dry towel.

Step 5

Lay the record out to dry overnight. Do not place it back in the sleeve until completely dry.

Storage

Step 1

Store your records clean. Dirt and dust in the grooves can scratch the records when the box is moved around. Organic compounds react with the shellac, attracting insects such as silverfish. These little critters love to eat paper sleeves and record labels.

Step 2

Keep your record boxes high and dry. Humidity above 85% promotes mold growth and porous 78 record sleeves absorb moisture. Store them off the floor in the event of a flood or plumbing leak.

Step 3

Avoid storing 78 rpm records flat; this puts pressure on the records. Store them upright, on edge, in clean new sleeves. Do not allow the records to lean as this causes warping. If storing them in a box, make sure the discs are fully upright and flat against each other, held in place with a divider if necessary.

Step 4

Monitor the temperature where the records are stored. High temperatures will warp 78s, especially if they are not stored flat and upright. Room temperature should not exceed 75 degrees.

Playback

Step 1

Use a fresh new needle for every record if you’re planning to play the 78s on a vintage Victrola. Bear in mind that the heavy tonearm and steel needles on these older record players wear down the grooves much faster than modern equipment.

Step 2

Invest in a high-quality modern turntable with a 78 rpm speed setting. (These are still available from specialty retailers.) If you have very rare or valuable 78s, it is strongly recommended that you only play them on modern electric turntables, not old Victrolas.

Step 3

Copy your 78s to a digital format, such as burning them to CD or to your computer. This saves wear and tear on the original records, while allowing you the pleasure of listening to them as often as you like.

Tips

When it comes to vintage recordings, 78 rpm collectors are merely stewards of historical artifacts. Much like a museum curator, your goal should be to do as little damage as possible and preserve them for future generations.

Warnings

Take extra special care of the record label: collectors and 78 rpm record buyers will pay top dollar for labels that are in excellent condition. Labels that are torn, stamped, marked or damaged reduce the value of your record significantly. Never immerse your records in water or wet the label when cleaning; this will cause labels to bubble or peel.

Key Concepts

  • 78rpm record collecting
  • 78rpm record care
  • 78rpm record cleaning
  • 78rpm record storage
  • playing 78rpm records
  • 78rpm record preservation

References

Resources (Further Reading)

User Bio

Lori Spencer has written professionally since 1986. She is the author of three nonfiction books, is writing her fourth and provides content for eHow and LIVESTRONG.COM. She also produces and hosts a weekly radio show. Her subjects of expertise include history, media, music, film and the performing arts.

By Lori Spencer

 

Achieving just the right blend between guitar and bass should be felt by the listener “like a warm hug” according to Manny Marroquin, mixing engineer on multiple platinum hits for John Mayerand other top recording artists. Think of the guitar as one arm and the bass as the other arm. The idea is to wrap both arms around the listener and engulf them, blending the two sources together to sound like one.

Effective microphone placement, the tone, instruments, amplification, style and rapport of the musicians themselves–and not studio wizardry–represent the keys to successfully blending bass and guitar.

 

By Lori Spencer

Programming a country music radio station is a challenge these days, radio programmers agree. What programmers can’t seem to agree on, however, is a format. While some DJs, program and music directors say this fluidity signals a healthyperiod of growth for country radio, traditionalists warn that playing too many crossover artists dilutes the brand. The good news for country radio today is that programmers have greater freedom in creating and defining their station’s unique sound. Whether playing traditional country or blazing new trails…

Blues Festivals in California | eHow.com.

By Lori Spencer